Today, 22 July 2014, we are premiering a new fashion film series by filmmaker Joseph Lally! The Beauty series features eight episodes shot in Lally’s signature raw, dystopian and gritty style and focueses on ‘the fashion industry and its dependence on the objectification of beauty.' Each episode stars a different model, starting with the great Daphne Guinness.
CFconcept Jewellery by Danish actress turned designer Charlotte Flyvholm is now available to buy through SHOWstudio Shop! We are stocking CFconcept's Klint necklaces, Aura rings and midi rings, so make sure you visit SHOWstudio Shop now to shop the elegant collection.
In an interview with Flyvholm, she stated: 'I create jewellery for women who want to enhance their qualities. I want to make women feel beautiful and unique filled with confidence and joy. The focus is on high quality and innovative design...'
London-based photographer, artist and SHOWstudio friend Polly Brown has just launched a new book of photographs! Plants documents the vibe in the offices of high-profile brands and fashion companies through portraits of the office vegetation, from cactuses at Diesel to HBO's orchids. SHOWstudio even features in the book, with a nod to Nick Knight's well-documented floral fascination!
The work was designed and editioned by Brooklyn-based independent publisher Pau Wau and contains a foreword from Eden Project founder Sir Tim Smit. Green friends from Vogue, The New Yorker, Celine, Google, Paul Smith, Disney, Acne, The Wall Street Journal, BBC, Playboy and Moët are all featured.
CFconcept Jewellery by Danish actress turned designer Charlotte Flyvholm will be coming soon to SHOWstudio Shop. Flyvholm's collection combines her influences from around the world - including the Middle East, South-East Asia and the Americas - with her Danish roots and her love for Scandinavian design.
Flyvholm founded CFconcept after a kite-surfing accident left her house bound for months in 2010. Inspired by sketches from her adventures abroad, she began to draw and model jewellery designs. SHOWstudio Shop will be stocking CFconcept's Klint necklaces, Aura rings and midi rings - make sure you visit SHOWstudio Shop next week to shop her wearable collection.
We’ve got a hot new Fashion Mix! SHOWstudio invites fashion’s elite to compile a playlist of their ‘greatest hits’ to celebrate the link between music and fashion. Our mixes feature designers, models, journalists, and photographers, and this week’s playlist is curated by designer Tigran Avetisyan! Take a trip back to the seventies with Pink Floyd, ABBA and Eddie Vedder. While you listen, take a look at Avetisyan’s designs in SHOWstudio shop!
Stay tuned for more Fashion Mixes, and browse through our current collection!
We have a new Fashion Mix! SHOWstudio invites fashion’s elite to compile a playlist of their ‘greatest hits’ to celebrate the link between music and fashion. Our mixes feature designers, models, journalists and photographers, and this week’s playlist is curated by our very own Lou Stoppard! Dance away to the Yeah Yeah Yeah’s, Pulp, Depeche Mode and more.
Stay tuned for more Fashion Mixes, and in the meantime, browse through our current collection!
SHOWstudio is delighted to announce our upcoming SHOWcabinet exhibition is devoted to Japanese shoe designer Noritaka Tatehana and launches on 10 September 2014. Lauded as one of the most important shoe designers of our time, Tatehana mines Japan's vast cultural heritage to produce shoes that re-think the very notion of the 'high-heel'. Favoured by Lady Gaga and Daphne Guinness, his soaring heel-less shoes shift the wearer's balance forward onto the toes and are elaborately adorned using avant-garde techniques that have emerged out of a mastery of traditional Japanese crafts.
Tatehana draws particular inspiration from the 'Oiran', a group of visually alluring courtesans that were present in Japan's tea houses during the vibrant Edo and Meiji periods. For these figures, appearance was paramount. Their delicately embroidered kimono, elaborate make up, towering geta shoes and mother of pearl hair pins created a veil through which to seduce their clientele. Each piece of apparel was crafted with the finest and most intricate means and each accoutrement demanded the heights of artistry.
For Tatehana's SHOWcabinet exhibition, the designer will showcase his proficiency in these traditional crafts and demonstrate the ways in which he has incorporated them into the realms of contemporary high fashion. The display will include shoes, garments, sculpture and painting that employ the arts of katazome, katakana and yuzen, in surprising and innovative ways. It will also feature new work by the artist Taisuke Mohri, whose photorealist portraits embrace both eastern and western motifs, and embrace the hybrid sensibility of Tatehana's work.
Prior to the exhibition opening, Tatehana will take up residency at SHOWstudio to create a new pair of heel-less shoes. He will demonstrate the intimate making process of his signature design during a live online broadcast. The exhibition will also mark the debut launch of Noritaka Tatehana's range of leather accessories.
Watch the Katharine Grace x Krishna Godhead couture show exclusively on SHOWstudio!
We just finished rounding-up the A/W 14 couture season with the help of Alexander Fury, Charlie Byrne, Jess Hallett and Claudia Croft. But for those not yet ready to say goodbye to haute couture, we're excited to launch the show video from the Katharine Grace x Krishna Godhead collection!
Hailing from Perth and both former models, the design duo showed in Paris for the first time this season. Their collection entitled La Haine ('hatred' in English) was presented more as a theatrical performance than a runway show in front of an audience of 100 invited guests.
Watch the captivating film and take a look at the beautifully executed sketches of the Collection featured in the show notes.
Marina Abramovic is an artist that courts adoration and disdain simultaneously. While her current exhibition 512 Hours at the Serpentine gallery in London has received rave reviews, her recent collaboration with adidas on their All in or Nothing World Cup campaign has been the subject of some scrutiny. This and her high profile associations with celebrities like Gaga, James Franco and Jay-Z jar, for some, against the academic and critical work that she continues to amass.
Abramovic’s artistic career spans over 40 years. She began performing in 1973 in Serbia, and over a short time became fully immersed in what was a highly political medium. Much of the performance art of the sixties and seventies developed as a reaction against a number of factors- art institutions' involvement in the Vietnam war, the commodification of art, discrimination and elitism in the gallery and museum systems, as well as widespread gender inequality. Abramovic, both individually and in her collaborative work with Ulay, contributed considerably to this movement and has continued to tirelessly expand the field where others fell away from it.
Part of this has been to establish an archive for performance. Now the self professed 'grandmother of performance art', Abramovic has witnessed the turbulent reception and treatment of the medium throughout her career. The eighties heralded a certain amnesia that somewhat sidelined the performance art of the previous decade as an extreme reaction to an extreme time and it was largely replaced by an influx of painting and sculpture. The inevitable commercialisation of performance art took place. The editioning of documentary film and photography became the means by which these works were eventually transitioned into the market place. Theoretically, performance has also been continually re evaluated. The primacy or authenticity allocated to encountering the 'original' performance has been undermined as fallacy and the audience's original reception of the work is thought to be as mediated as any resulting footage or commentary. And so questions arise as to how to archive this medium without stagnating it. How to engage with the debate and enliven it. How to remember without assimilating into systems to which performance artists were so vehemently opposed.
Abramovic is tackling these questions. Her performance Seven Easy Pieces at the Guggenheim in 2005 saw her re-stage key performances from the 70's including Acconci’s Seedbed, Valie Export’s Action Pants: Genital Panic and Joseph Beuys' How to Explain Pictures to a Dead Hare. Each performance was revived in a different guise, finding relevance in a new time and living on through the flesh of their latest performer. The Marina Abramovic Institute is another step towards this. It is a centre in Hudson, New York that aims to be a home for long durational performance work. The artist came under fire for crowd sourcing the funding to open the museum, with the implication being that she was wealthy enough to fund it herself. But I'd challenge the mentality of this. By opening up the ownership of the institution and naming the contributors as founders, Abramovic undermines the very nature of an 'institution' and the hierarchy inherently associated with it. Her many founders feel an ownership and a belonging. They have an opportunity to engage with the space and shape the activities that are happening there. Abramovic is building a participatory and active community.
Marina Abramovic's collaboration with adidas is the latest project to incite confusion and some derision within the art press. It is a commercial for a pair of trainers, but it's a cerebral one. The artist takes the opportunity of the World Cup- a global phenomenon that engages more of the world's population than almost any other event, and harnesses that community to introduce them to her craft. During the film, Abramovic explains the performance in a very accessible and clear voice over. She gives the context of the piece and details regarding its relevance, drawing on the parallels she finds between performance art and sport. The message is unabashedly positive, encouraging us to find strength in togetherness, commitment and perseverance. Amidst a sea of advertising that is seemingly hell bent on both overtly and subliminally bashing our self esteem into submission, this campaign is a welcome relief.
This project and the others like it, introduce performance art to the masses and explain why it might have some application for people outside of the contemporary art sphere. This is an essential activity if the medium is to maintain the momentum it has gathered and create it's own history.
Our round-up discussions our must-watch for fashion fans. The most acclaimed and celebrated fashion insiders congregate in our studio to review the shows in candid live-streamed chats. In case you missed our London and Milan round-ups, they are now available on-demand.
Our London S/S 15 menswear round-up discussion featured Fantastic Man’s Julian Ganio, the FT’s Charlie Porter, Topman's Gordon Richardson, and Port’s David Hellqvist talking all things London menswear! The panel reviewed J.W. Anderson, Loewe, Moschino, SIBLING, and more, discussing the current function of branding as seen in Moschino and Bobby Abley’s MAN collections, the way designers create their own worlds (see Christopher Shannon’s ‘teenage bedroom’), and the function of LC:M compared with other fashion weeks.
Our Milan S/S 15 menswear round-up discussion had special guests The Independent’s Alexander Fury, designer Carlo Brandelli, and menswear columnist Tom Stubbs reviewing Milan brands including Versace, Prada and Armani. The gang discussed the idea of men ‘dressing sexily’, the athletic and ballet-inspired trends seen on the catwalk, and the concept of brands ‘owning’ certain colours, like Prada’s murky blues or Armani’s ‘greige’. Both panels were chaired by our own Lou Stoppard.
We are proud to announce that our own Nick Knight has received a special award!
Yesterday, Knight was honoured by the University of the Arts London with an Honorary Doctorate degree, in recognition of his outstanding contribution in the field of fashion photography. An Honorary Doctorate is the highest honour conferred by the university, the largest of its kind in all of Europe specialising in art, design, fashion, communication, and the performing arts.
‘It occurred to me that when I first started studying, I was studying to be a doctor. And now, 40 years later, I’ve received a doctorate - it feels a bit ironic!’ Knight joked. The SHOWstudio team extends congratulations to Knight and the graduating class of 2014.
Today, we are launching the next segment of Subjective, a series of interviews conducted by Nick Knight to unveil the history of contemporary fashion photography from the perspectives of models. This week’s interview is with Kristen McMenamy, who discusses her experiences being shot underwater, bondage-style with photography duo Mert & Marcus for LOVE magazine.
The picture is a murky underwater shot of McMenamy with her arms and legs tied behind her, in an authentic S&M style bondage pose. McMenamy discusses her initial discomfort, feeling claustrophobic and deep underwater without the ability to move or swim for air. ‘But I will do anything for a good picture,’ she says. When asked about the prospect of dying on a photoshoot, she laughs, saying many people in the fashion world would love it; ‘I won’t name names, but…’
We're thrilled to have a new addition to our on-going Ugly series! Curator Judith Clark examines the ugly, beautiful and fashionable, juxtaposing her own questions on the subject with the work of cultural theorist Mark Cousins.
Twenty years ago, Cousins delivered a series of lectures at the Architectural Association on the theme of 'The Ugly'. Clark revisits this body of work through quotes, exploring his theories in relation to fashion. The result is an in-depth article that brings up fascinating questions around the definitions of ugliness, including its association with 'error' and that which is 'out of place', its relationship with beauty and its appearance in the discussion of genius.
'By making Ugly the new Fashionable, Miuccia Prada suggests that the Beautiful and the Ugly are recognizable and definable categories, and are in some sense the opposites of each other,' writes Clark. 'The Beautiful and the Ugly are aesthetic judgements based on consensus. We are always asking from whose point of view is this ugly?'
We are proud to launch a new fashion film by Nick Knight! The work, created to celebrate the KTZ and #BEENTRILL# clothing collaboration, explores the link between the limitless possibilities of the unconscious mind and the limitless possibilities of the deep web. In the fashion film, Knight explores the millions of layers that make up the internet and its resultant complexity. He looked to create a sense of 'things within things and layers within layers,' as a nod to the multiple portals one has to navigate and find to enter the deep web. This was explored in both the two days of filming that occurred when producing the work. On the first, BLADEE and ECCO2K of GRAVITY BOYS toyed with layers by 'live mixing' a performance directly onto their website, and on the second day, footage from the first day appeared directly on the body of model Betty Adewole via green screen paint.