Daphne Guinness resumes her position in front of Nick Knight's lens as we open day two with a look from Maison Martin Margiela. Daphne wears a sequinned persian rug column gown and Margiela garment bag: an arch note on artifice and objectification in modern fashion and a genius reappropriation in true house tradition.

As we pause for lunch here at Park Royal and the relentless Ms Guinness prepares for her next role as a Rick Owens high priestess, now seems a good time to reflect on the work Kev Stenning of Rapido 3D has been developing over the two days. Eventually to appear in physical form in the windows of Le Printemps, this image gives a sneak peek at the futuristic bas reliefs that will be created.

From his almost ecclesiastical collection combining classic sixties couture volumes and a streamlined purity that is purely modern, Rick Owens provides Daphne's latest look for Future Couture. A sheath of white silk crepe and a leather and cotton jacket whose structure meets autonomy with restriction form the robes fit for a priestess.

In a look combining Cyberdog rave-futurism and submarine crustacean, Daphne is currently bathing in the lasers of Kev Stenning's 3D scanner with a serpentine companion nestling comfortably in the ruffles of Junya Watanabe's chiffon shrug jacket.

Having finished her forceful appearance in Marios Schwab's black graphicism and football-quilted down, Karlie Kloss is now taking her sixth turn in the spotlight in Richard Nicoll's inimitable grown-up/playtime mix, with Sam McKnight's cotton-candy hair completing the look.

Our seventh and final look of the day, Ashish's backless dress and long, hooded top in blocks of primary-colour paillettes form Karlie's last outfit and combines designer Ashish Gupta's trademarks of sequins and bold graphic appeal. To top that, it definitely feels like rain may just be about to hit Park Royal just before we stop play...

In her second look by Givenchy by Riccardo Tisci and penultimate look of the day, the pretty/deceptive narrative continues with ruffles and sequins. The more perceptive viewers amongst you may also have noticed that despite repeated scuffles, Lara’s Marian Newman nails have suffered neither break nor chip.

As Lara Stone changes into her third look of the day, now seems a good moment to take a look at the shoes that she stands in throughout. From her macchina Americana-inspired Spring/Summer 2012 collection, Miuccia Prada's wedge featuring a Cadillac tail-fin light exploits a traditionally masculine fetish for the classic automobile and heighten their voluptuous aesthetic appeal. A million miles from the training shoe worn by the traditional student of Krav Maga, it is their realistic impracticality that is part of the philosophy behind Power Dressing.

Providing SHOWstudio's traditional first point of call at London Fashion Week, Day One began with Justin Thornton and Thea Bregazzi's presentation of their Autumn/Winter 2012/13 collection for Preen: an evolution of their signature blocks of delicately tessellated print, bold colour and embroidery.

In a brief stopover at the Exhibition at Somerset House, we met with Levi Palmer and Matthew Harding to discuss their Autumn/Winter 2012/13 collection. Grounded in precise and thoughtful twists of tailoring to the white shirt, this season sees variations in the form of coats, dresses and an exploration of various cotton fabrics. Featuring moleskine, poplin and mesh in a subtle palette drawn lightly from sculptures of wood, the structural inspiration continues in their upright construction.

Also part of the Exhibition at Somerset House, we saw Michael van der Ham's collection of Technicolor bricolage ahead of his Autumn/Winter 2012/13 show on Monday.

With fabrics sourced from Yorksire mills, Christopher Raeburn's Autumn/Winter 2012/13 collection had an aptly moorish feel (as in Wuthering Heights, not North Africa) as London bathes in archetypical grey and drizzle. Raeburn's signature utilitarianism continued with drawstrings, quilting and backpacks all contributing to a well-pitched look at form and function.

Set against a mashed up soundtrack opening with Jolene and continuing through a 90s R&B odyssey, Kinder Agguigini's collection shown today was also a perfectly judged mix through print (country and western motifs, flocks of baroque), fabric (silk crepe, ponyskin and lurex) and colour (moss green, raspberry, seafoam and pale pink).

Paying a visit to the exhibition at Vauxhall Fashion Scout, we were taken aback by these immense origami creations by Morana Kranjec. Folded by the designer herself and presented almost confrontationally like a cubist chess game, the garments propose a structural weightiness often rejected by the delicate artform.