McMenamy explains how one photograph of her clad in armour surprised her by being the best of the whole shoot, when she felt that it wasn't working. 'That's when you have to trust the photographer,' she concludes. During the conversation she also speaks about her preference for working with photographers who direct her, 'oldie but goodies' as she calls them, and loving Walker's way of shooting - 'It's old school, the whole team goes to a big house and spends a week just taking time… you become friends and you gel and you have your dinners together and you have your lunches together and you stay in the same big house. I love that, it's probably like being on a movie set.'
Of another photograph from Walker's Origin of Monsters series for Love magazine, McMenamy also recounts that the wings she was wearing almost caught fire - 'that would have been a good death, in a haunted house, because I would have haunted that house!'