Today’s first Future Tense film from Swedish label Nakkna, titled In the Flesh, has a decidedly haunting melancholy quality. Focussed on a slowly-moving tableau intercut with footage of complex lobes of pleated fabric like innards and rich, bloodied colours, the film has the odd feeling of a Géricault oil-painting come to life. Precisely what it seeks to express remains an ever-intriguing enigma.