The setting - a wasteland comprised of drapes and boulders complete with screens showing ghostly animals and humans moving around - echoed the dystopian spirit. This was about discarded fashion gems, revisited and revitalised by a new generation.

From the sweeping red velvet curtains that veiled the stage to the painted holy wine lips on each model, the theatre and performance of religious practice underpinned the collection.

Those models dressed all in red almost looked like blood trickling down the runway.

There is something about minimalism that always makes pieces feel intensely valuable and pure in a way that embellishment and fuss never can. Today's clothing exemplified this - they were rare jewels and carefully sculpted ornaments. Unique and perfect - like the Jil Sander woman strives to be.

I find Jil Sander really sexy, for the absolute control. We all love a bit of S&M.

We want to be blown away at shows, we want fantasy.

People want to know a sense of heritage behind their clothes and feel that there's something more.