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"If fashion is about ingenuity and innovation, this is a good time for the industry to draw on these qualities and return to measuring fashion in terms of something other than quantity."

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Galileo's Universe
Galileo's Universe
Greenland

pic.www.righteousrestyle.com/ 2008/03/cheap-fashio...

The Observer -Life & style Ethical fashion -Lucy Siegle

Why it's time to end our love affair with cheap fashion. Cheap, throwaway clothes have become hugely popular on the high street. But last week a report criticised the trend and here The Observer's ethical columnist says our appetite for disposable fashion is becoming an eco disaster

One can only speculate on the fashion footprint of the wardrobes of Lord Howie of Troon and the Earl of Northesk, both members of the Lords science and technology committee, but you'd have to suspect it is minimal. Given each lord's age, gender and peer-group interests - the highest fashion consumption rates are for women in their early thirties who read glossy magazines - the peers' share will come in well below the average of 35kg of textiles per person per year (mostly clothing). Much of this will be thrown out within a year; a small part will be recycled or donated to charity, and the rest will be chucked in the bin.

Last week's waste reduction report from the Lords committee read a little in places like an analysis of the woodland defecation procedures of bears. '[The] culture of "fast fashion" encourages consumers to dispose of clothes which have only been worn a few times in favour of new, cheap garments which themselves will also go out of fashion and be discarded within a matter of months,' announced the venerable lords in tones of shock and awe.

Many women are inured to the obscene excesses of fast fashion. One pound in four is now spent on 'value' fashion as provided by the likes of Primark, Asda and Topshop, which has had huge success with model Kate Moss's range of clothes. Between 2003 and 2007 garment prices fell by an average of 10 per cent and over the past five years the rate of frenzied buying has accelerated, while we make room for it by discarding some two million tons every year.

The true weight of this addiction has only really been felt by an unfortunate few such as the Salvation Army which, with around 2,750 of the UK's 9,000 charity clothing banks, has been faced with an ever growing mound of tat to flog to consumers indifferent to pre-worn unless it happens to be vintage. Value fashion retailers will debate forever as to how they can sell clothes so cheaply, usually citing economies of scale, but it has been clear to recyclers for some time that a fall in fibre quality and finishing is part of the equation. This makes the resale of last season's paper thin, slightly shrunken sun dress a distinctly unappetising commercial proposition. Besides, there isn't much incentive for consumers to buy worn when a new dress costs less than a lunchtime panini and coffee.

The bulk of discarded fast fashion is chucked into landfill. Meanwhile, the fashion industry has been particularly adept at avoiding green censure and criticism. While more prosaic sectors - food and drink, electronics, detergents and even car manufacturers -

have been forced to own up to environmental shortcomings either to pre-empt legislation or conform to new regulations (such as the EU directive that means your hairdryer or washing machine can no longer be flung into landfill) fashion appears to have charmed us all in a haze of sequins, air kisses and the seemingly boundless dynamism of fast fashion with its high street empires and super-rich moguls.

But when Defra, the department for the environment, began to analyse the impact of different materials in the nation's landfills a couple of years ago, fast fashion's get-out-of-jail-free card was unexpectedly revoked. The nation's penchant for 'McFashion' - as one-night-only T-shirts and skinny jeans have been dubbed - was found to translate into more than three million tons of carbon dioxide emissions.

More significant to millions of fashion-lovers than the opinions of a Lords committee or Defra will be the opinion of the style press. And even those who formerly and gleefully proclaimed Primark the new Prada are now suggesting that fast fashion has rather had its day. Apparently it is all about 'investment dressing' - buying one piece and loving it for a long time - now as fashionistas tighten their tiny little belts. 'Gucci or gas?' asks the September issue of Harper's Bazaar, advising fashion-lovers feeling the credit crunch to survive on 'one big ticket item, something in between or a little bit of both'.

There's some validity in this argument, as anything that cuts down the rapid turnover begins to reverse the fact that - according to Matilda Lee from the Ecologist - just 2 per cent of the average clothing budget goes on services that repair or lengthen the lifespan of our garments and accessories.

However, to be truly sustainable, the fashion parameters will have to be widened. If fashion is about ingenuity and innovation, this is a good time for the industry to draw on these qualities and return to measuring fashion in terms of something other than quantity. There has already been a shift. Phil Patterson, once textiles manager at Marks and Spencer, has set up ecotextile.com to allow consumers to assess their wardrobe in terms of environmental damage units (EDUs) with the goal that they'll be more fibre-discerning in future. The London College of Fashion recently launched its Centre for Sustainable Fashion and there has been a renaissance of thrift fashion ideas from reworking existing pieces to sewing classes, kit fashion, clothes swaps and clothes and accessory libraries.

There would appear to be some ethical motivation for change too. In the aftermath of the Observer and Panorama exposé of child labour used in manufacturing a line for Primark, an ICM research poll, commissioned by Drapers magazine, found that 42 per cent of people who shop at Primark were less likely or a lot less likely to shop at the retailer because of what they had heard.

In reality, any demise of super-cheap, super-fast fashion probably comes down to market economics. Labour costs have increased 50 per cent in the past four years across provinces in south-eastern China, the sewing room of the world. Meanwhile, fast fashion is scarily dependent on cheap fibres, namely polyester and cotton - which together account for more than 80 per cent of all fibre production worldwide.

Both are dogged by sustainability issues. As petroleum production declines, polyester prices are soaring, while cotton's insatiable need for water (and agrichemicals), coupled with the fact that two-thirds is still rain-grown in areas where rainfall has declined, means there's not enough to go around. Add to this a new, hungry consumer in the form of the Chuppie (the Chinese yuppie) who has developed an appetite for fast fashion herself, meaning that Chinese producers are less eager to export.

It will almost certainly get slower. In order to keep up with the trend for two new lines a week, brought to the high street by Spanish fashion giant Zara, competitors are increasingly reliant on air freight, and that is becoming hugely expensive.

Shipping a standard container from Shanghai to America's east coast costs $8,000 (£4,315) today, as opposed to just $3,000 a few months ago. Container ships are slowing down to cut fuel costs. If fashion stays fast it will need to become more localised, which will increase cost. So it can be slow and cheap, or fast and expensive. It is the combination of cheap and fast that is unsustainable.

In any case, we shouldn't overly mourn the passing of cheap fast fashion. We may be short on cheap fibre and oil, but one thing we have an abundance of is creativity. The demise of fast fashion could be as revolutionary as the mini skirt, the Ugg boot and Agyness Deyn all rolled into one.

Lucy Siegle is the Observer's Ethical Living columnist and Visiting Professor at the London College of Fashion

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KaWai
KaWai
United States
In reply to Galileo's Universe:

There are recycling bins for plastic and paper, glass bottles, well, I guess we need to start having collection centers for unwanted clothes so the fabrics could be recycled. I am sure they already exist but we need more of them.

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Galileo's Universe
Galileo's Universe
Greenland
In reply to KaWai:

Now that you mentioned it ... I believe it all depends how SINCERELY willing humans are prepared to clean up their waste act ! ... and not to mention something so banal as discarding their ' very tiny ' whimsical waste !

If they cannot be bother to deposit their trash left overs from let's say a burger they just eat or the empty soda can in the right container strategically placed in front of their nose ... then I think it will take another million years to convince them how important such matters are however insignificant they may appear and the implications for the FUTURE .... all due perhaps to their lack of interest or handicap in the matters of the right THINKING at the right time at always at the right place ....

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KaWai
KaWai
United States
In reply to Galileo's Universe:

The idea of recycling all comes down to education. And another thing is-just because the clothes are cheaply made, doesn't mean one has to discard them after a season.
I see lots of people now sorting through cans and bottles in trash bins in order to sell them to recycling centers to make some extra money. They are really important to the whole system of recycling, although their work is not considered well paid and respectable, but their work is vital.
There are recycling bins now in Berkeley for clothes, they go to charities in underdeveloped nations.

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Galileo's Universe
Galileo's Universe
Greenland
In reply to KaWai:

PIC.http://www.stique.com/

Some designers are busy being inventive and taking the issue one step further at the beginning of the production to minimise unnecessary waste ... :

ESTETHICA ECO FASHION: Mark Liu's Zero-Waste Designs -
February 2008

There is a lot of eco-chatter these days about ‘adaptive reuse’ and ‘reclaimed materials’ in green design, particularly in the realm of fashion-forward garments and accessories. Estethica, London Fashion Week’s recent sustainable design showcase featured some great examples of recycled/repurposed materials in designs that are light in footprint but substantial in style. One of the bright young stars of Estethica, Mark Liu, has taken sustainable fashion one step further with his ‘zero-waste’ fabric patterns and eco-designs that do just that, waste not a scrap of fabric. Liu’s pieces are yet another example of why Central Saint Martins grads are true innovators, as his next generation of pattern making is both wearable and cutting edge.

According to Liu, approximately 15% of fabric is typically wasted in the pattern cutting and sewing of each garment manufactured. Liu has created a method of cutting a jigsaw pattern from a single piece of fabric in order to create all of the components to be assembled in his design. (Since fabric widths are standardized, there is a tremendous amount of waste that is generated with each pattern cut.) The designer views his technique as being an “eco-efficiency” that has been completely overlooked in the industry as well as in the training of young designers in art and fashion programs. He also advocates using engineered screen printing in order to pre-draw patterns on fabrics to be cut.

Mark Liu’s work will soon be featured in the forthcoming book, Sustainable Fashion: Why Now, by Fairchild Books. We look forward to seeing more from this young designer and learning in the process how to reinvent the patterns and methods of the garment industry without sacrificing style.

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KaWai
KaWai
United States
In reply to Galileo's Universe:

The entire system of fashion is about coming up with new stuff every season, fall/winter, spring/summer, and a resort/holidays. I think as consumers, we just have to be smarter to not follow the trends just for its own sake and not be slaves to fashion.
I met a woman who lives in Arizona, US, and she makes rugs out of old t-shirts.

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Galileo's Universe
Galileo's Universe
Greenland

Pic. www.talk2myshirt.com/ blog/archives/335

................. FUTURE PROSPECTS & VISIONS .... INDEED !

Bubelle the Emotion Sensing Dress of the future-www.talk2myshirt.com/ blog/archives/335

How will fashion look in 2020? That’s very difficult to say considering making a predictions for the next season is already a challenge.
The Design group at Royal Philips Electronics of the Netherlands gives it a shot and takes a look into the far, far future of fashion in their SKIN project, an exploration research into the area known as ‘emotional sensing’.
Bubelle is one of the prototypes Philips Design introduced to the world in September 2006 and got the top spot in this years Inventions Of The Year list from Time magazine in the category Fashion.
Philips Design believes our future garments will or should be more ‘Sensitive’ rather than ‘intelligent’.
The Bubelle Dress is made up of two layers, the inner layer contains biometric sensors that pick up a person’s emotions and projects them in colors onto the second layer, the outer textile.
As futuristic as the Bubelle Dress might seem, as logical it actually might be. We select clothing not only for protection and functional purpose but very often following our emotion and personal individuality.
We can buy clothing for protection and functional reasons only and everyone wears the same. There is no reason to have different colors or a different cut as long as it is comfortable to wear.
Why do we have all the different colors and add-on items like buttons, rivets, patches, glitter, … the list is long.
It’s because we want to show our emotions, our personality and Lucy McRae, Body Architect at Philips Design, who lead this project, elevated our emotional dress code to a higher, more reactive level with the Bubelle Dress.
According Lucy McRae, “A garment can be a highly complex interactive electronic or biochemical device that is more responsive to subtle triggers like sensuality, affection and sensation.”

The Blubelle Dress changes the look instantaneously according to our emotional state and our personality. No need to rush for a dressing room before going from one event to the next, no need to settle for something generic because you can’t change between parties.
Philips Design has given us a glimpse into the far future but this future looks very bright and emotional from the fashion perspective.

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