Still from 'Hoxton Honey' edited by Anna Span
On Wednesday 8 February 2006 Penny Martin and Sharmin Nordien spoke to pornographic film director Anna Span about her history, her thoughts on the Editing Fashion project and how she has begun to work on the package of footage and accompanying soundtracks.
In reflection of his field (news edit) Rupert Angarita-Dodds chose to edit his final cut within one hour.
Alongside his work for ABC News, News editor Rupert Angarita-Dodds agreed to make a five-minute cut from eight hours of Nick Knight's footage of the John Galliano show.
On Friday 27 January 2006, Penny Martin interviewed Nigel Buck about his involvement in the project.
Documentary and wildlife editor Nigel Buck was sent the 'Editors' Cut package', comprising eight hours of uncut footage and sample soundtracks, on 18 January 2006.
Still from 'Tera Mera Pyar' ('Our Love') edited by Apurva Asrani.
On Thursday 9 February 2006 Penny Martin spoke to Bollywood film editor Apurva Asrani in Mumbai about his own working practice and his plans for his submission to Editing Fashion. Asrani's footage was sent out to his studio in Mumbai, India on 25 January 2006.
On Monday 27 February 2006, Sharmin Nordien spoke to animation editor Greg Perler about his thoughts the Editing Fashion project and how he began to approach the footage.
Charles Nartey Mezo
Still from 'Yes Matron' edited by Charles Nartey Mezo
On Tuesday 4 April 2006 Sharmin Nordien interviewed West African editor Charles Nartey Mezo about his involvement in the project and the five-minute edit prepared from his Ghanian studio.
One of twelve professional editors invited to participate in Editing Fashion from a range of film and television genres and geographical territories, director Mike Figgis was selected for his consistently innovative approach to feature film editing. On Tuesday 20 December 2005, Nick Knight spoke to Mike Figgis about his vision for the project.
In November 2005, Nick Knight spoke to commercial director Sam Sneade about his vision for the Editing Fashion project and Sam's prospective approach to the footage.