More in this project
- Kenji Hirano / UN.a, COLOR
- Antoine Plainfossé/ Killian Lassablière, UNWORDABLE
- Urzulka and Juliana Ramirez, Belly Flop
- Lara Verheijden, NINAMOUNAH x Stadman.Lara
- Soft and Shallow, Vol. 02 Interviews
- Sean Connors, Blow of Mercy: Assassination Complex
- CRIB PRESENTS, CRIB x TOMMY SISSONS
- Mowalola Ogunlesi, Kilón Shélé Gán Gán
- Matthew Gode, Can You Hear Me
- Alexandra Kennedy, ALXVNDRA A/W 17
- Andre Bato, Stockholm Syndrome: Les Enfants Riches Deprimes SS 17
- Boyhood Garments Official, My Ideal Brothers
- Kenji Hirano, Lepus Cornutus
- Michele Foti, My Beautiful Laundrette
- Adam Csoka Keller, Echtes Leder
- Jeaneen Lund and Barði Jóhannsson, Sacred Universe
- Regina Sepp, I Don't Need It
- GVN908, Gravity
- Yuen Hsieh, Xiu Long
- Sylvyen Nazaah, Bisou
- Ela Kaçmaz, Istanbul, 400 Lira
- Jayne Lies, Wonderful Law
- Laura Searle, Litost
- Candice Lo, Whoever, Wherever, Whatever.
- Nüesch Sisters, Moon Girls
- Egor Novikov, BASIC
- Victor Claramunt, Breaking Rules
Mowalola Ogunlesi, Kilón Shélé Gán Gán
Dàfe Oboro and Mowalola Ogunlesi, Kilón Shélé Gán Gán
- Direction: Dàfe Oboro and Mowalola Ogunlesi
- Music: Klein
- Casting: Our Casting
- Styling Assistance: Stephen Tayo
- Film Assistance: Deto Black
- Graphics: Lane Stewart
Georgina Evans: What made you decide to showcase your work in the medium of fashion film? Did you enjoy the process?
Mowalola Ogunlesi: My collection celebrated my culture through my eyes so I wanted to work with Dafe and create this film so we could expose people to the world of the Mowalola man in a sort of disconnected dreamlike way. I enjoyed the process so much as Lagos is such a visually busy and colourful city so I was fully immersed into the hustle of the city.
GE: Tell me about the making of the film, how did it come about?
MO: The film was created by accident because originally i was just coming to Nigeria for a photoshoot but I came across Dafe's work on instagram and I had to collaborate with him on this. It was important for us to expose the diversity of real life in Lagos through this film
GE: From designer to director! How did you find the directorial role?
MO: Working with Dafe was very natural. I really liked how we were able to combine our different styles and viewpoints in the film. But as a designer I am constantly inspired by films, From Nollywood to seventies Senegalese films, especially by director Djibril Diop Mambéty. Being exposed to his films, such as Touki Boouki, inspired me to reinvent African films by introducing some weirdness to it.
GE: The boys look beautiful in your designs, how did they react to the clothes?
MO: They loved the clothes, it was so refreshing to have them feel so powerful and untouchable. I feel like they could relate to the overall mood of the collection and it's good to see the idea of masculinity in Nigeria subtly evolving.
GE: The team here are in love with this film! Can we expect more film from you?
MO: Yes, I will be working on my Music Video next, which I cannot wait to start. I have been planning and researching for months now.