Process Film

Broadcast on 5 Dec 2012

Watch Carine Gilson in action as she crafts her couture negligee

Live Stream Q&A

22 Q&A Posts

1 Jan 1970. 01:00

Q. women think about many things( while working very concentrated),what are you thinking about right now!?

It is true. Many things. I am thinking ahead of the shoot; sometimes when you are focused on jjust the garments you miss things, and I hope that it all comes together as I hoped.
1 Jan 1970. 01:00

Q. am I correct in saying SHOWSTUDIO is in what used to be the old Maison Martin Margiela Store!? Margiela is Carine's favorite designer!!!!! greetings Maison Martin Margiela Brussels

Yes it is!
1 Jan 1970. 01:00

Q. Hi Carine! How do you stay motivated to finish an entire piece in such a short period of time?

La passion! When you love what you do. If I do this all the time I have less spontaneity and creativity, but I would like to take more time to do this.
1 Jan 1970. 01:00

Q. there was quite a bit less detail yesterday, how many hours did you have to work last night on hem detailing?

I was joking when I said it took all night! The factory in Belgium were working on this piece all day whilst I was working on the sleeve here, under my instruction.
1 Jan 1970. 01:00

Q. Carine! You are as elegant as your collections. Thank you for showing us your studio practice and your patient approach to design! I believe you just opened a shop in London. Where is it? I must go immediately.

Don't go today as today it is exceptionally closed, please go tomorrow! The shop is on Pont Street.
1 Jan 1970. 01:00

Q. What is it about chantilly lace you're attracted to? Is it purely aesthetic, or is there something about it's history?

I use only Chantilly lace as it is the finest lace. I have used silk lace too, which is beautiful when you lay over silk, it is like a jacquard. I only used it for this one collection though as it is so exclusive. I will use again, maybe in twenty years!
1 Jan 1970. 01:00

Q. This looks entirely beautiful. If I want to buy it, how can i?

You cannot buy it is unique! If you wish to order though we can do. I think it will be on display here (in Bruton Place) though for a month in the gallery.
1 Jan 1970. 01:00

Q. WOW! The studio looks different from yesterday! Did you move space?

We're just painting for the shoot. Yesterday was working, today we dream. With the black mousseline it picks out the bright elements of the déshabillé and also represents the night-time.
1 Jan 1970. 01:00

Q. Do you feel there is a difference between the ideal model for ready-to-wear fashion and the model you would use for your couture lingerie? Do you feel there is a more feminine ideal for you than the straight-up-straight-down ideal of high fashion and you can design for all sizes?

Not completely. I am working with soft silks and with pieces like a bra they cannot use too much fabric. It is different with the more flou pieces like this deshabillé which are more free...
1 Jan 1970. 01:00

Q. Have you ever used other types of lace than that which you are using here? Have you ever tried to use lace from places outside of France?

I can only use this lace as I am using silk fabrics like mousseline and it needs to move in the same way, other types do not do this. I have used other types of lace but they need to be delicate for these pieces.
1 Jan 1970. 01:00

Q. You have spoken about using the vintage, reissued styles of lace from French suppliers, do you ever use antique lace?

Yes. I love to use antique lace. In fact I met somebody on the train who knew me but I didn't know them. We got talking and they told me their grandparents had a factory and had closing, selling on their lace. I was so upset, I would have loved to have bought it!
1 Jan 1970. 01:00

Q. in case a big lingerie label asks you to work/design for them(like Raf Simons for Dior)would you accept?

Maybe someday. In the past with some I have said yes, with some I have said no. It is important to do what you love.
1 Jan 1970. 01:00

Q. famous women already wear your creations! which person would you die for if she woears your creations?

I don't wish to limit myself in this way, I have women that admire like Grace Kelly who had poise and elegance and perhaps Nicole Kidman who is playing her in the new film...
1 Jan 1970. 01:00

Q. not "haute couture" but "haute lingerie" maybe? what period are you most inspired by? annees 30/40/50 60?

I like the period of Art Nouveau, Art Deco... the early 20th century, although not just one time inspires me. It can be anything.
1 Jan 1970. 01:00

Q. how en when did you decide to do lingerie?

When I bought my factory, at 23. I was producing my final collection which was all camisoles and combinaisons and visited it, there were 4 old ladies and they said they were closing. I bought it, and more than 20 years later I have a different factory but I am still here!
1 Jan 1970. 01:00

Q. how long does it take to make a bra? do you design the lace(dentelle)?

It is hard to say, especially in comparison to big industry who can make one in 30 minutes or so. I would say about 3 to 4 hours...
1 Jan 1970. 01:00

Q. Hi Carine, I discovered your product long before I learned to know you. I would like to tell you how much I love what you do in general and the work you present today. I have been wearing your pieces for years now and I truly believe they are like magic. You said your work makes men happy. They make women feel extremely good, unique and beautiful. Aminata.

Thank you! It is lovely to have men as well as women that I don't know come and tell me that I make them happy!
1 Jan 1970. 01:00

Q. Do you design for yourself? What would be your dream project for yourself?

I don't really design for myself, it starts with the lace and the silk and with the métier.
1 Jan 1970. 01:00

Q. Hi Carine - we hope you are getting on well working on the proportion lingerie form - she looks lovely and we cannot wait to see the final garment.

Thank you, we just need to find out how to change her height!
1 Jan 1970. 01:00

Q. Dear Carine, it's so nice watching this live stream. I loved what you were discussing about lace both revealing and concealing at the same time. I make corsets which interest me for similar reasons (they are both hard/soft, revealing/concealing, restricting/freeing), using a lot of lace and silk to contrast with the firmness of the structure. I would love to know, are you most drawn to soft or structured lingerie? Thank you, all the best.

Both. Some pieces like the bustier they require more structure but the deshabillés comme ça they require something more soft. I couldn't choose.
1 Jan 1970. 01:00

Q. Dear Carine, Did you ever think of expanding your lingerie to menswear ? Thank you.

I am still expanding my couture line, so maybe in the future, but not yet!
1 Jan 1970. 01:00

Q. quelle bonne idée, ce live stream! bisou de bruxelles, linda

Thank you Linda!

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About

For the final instalment in our Flora series of LiveStudios, Carine Gilson creates a full length sheer negligee, embroidered with a lace-constructed flower bouquet. With an unrivalled dedication to craftmanship, an unfaltering eye for detail and the employment of the finest lace and silk, Gilson has established herself as the cerebral lingerie couturier. Hand finished in her Brussels atelier, many of Gilson's multilayered creations employ floral motifs, with each taking their inspiration from the delicate patterns inlaid into the Chantilly lace that features across her designs.

Credits / Contributors

Carine Gilson
Designer

Concept: Nick Knight, Niamh White, Lou Stoppard, Carrie Scott and Carine Gilson
Model: Andrea Chovanova
Hair: Panos Papandrianos
Make-up: Jo Frost
Interview by: Ben Evans
Technical Supervision: Neal Bryant
Technical Assistance and Imagery: Jon Emmony
Camera Assistance: Laura Falconer and Chloe Orefice
Film edit: Raquel Couceiro
Mannequins provided by www.proportionlondon.com

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Flora: Carine Gilson

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