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Lodger Footwear, Hannah Martin and E. Tautz

The Modern Gentry

An exploration into contemporary gentlemen’s luxury, The Modern Gentry is a one-off video collaboration between E. Tautz, Hannah Martin and Lodger footwear showcasing their unique roles in modern bespoke and hand-crafted men's attire.

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Films

A triptych of menswear-focussed fashion films exploring the concept of the Modern Gentry, featuring British menswear brand E. Tautz, contemporary jeweller Hannah Martin and Lodger Footwear.

  • E. Tautz
  • Hannah Martin
  • E. Tautz

    E. Tautz
    Film by Quentin Jones

    Film by Quentin Jones

  • Hannah Martin

    Hannah Martin
    Film by Ian Rodney Wooldridge

    Film by Ian Rodney Wooldridge

About

An exploration into contemporary gentlemen’s luxury, The Modern Gentry is a one-off collaboration between three London brands - E. Tautz sporting and military tailors, Hannah Martin fine jewelry and Lodger footwear - united by a dedication to luxury in mens' attire, and core values of exclusivity, attention to detail, and timelessness. In this exclusive project, created especially for SHOWstudio.com, these labels commit that vision to video, expressing both their individual aesthetics and collective role in catering for a Modern Gentry.

Credits / Contributors

  • Lodger Footwear Lodger Footwear
    Shoe Designer
  • Hannah Martin Hannah Martin
    Jeweller
  • E. Tautz E. Tautz
    Tailor
  • E. Tautz

  • Animation: Quentin Jones
  • Sound Design: Peter Duffy
  • Hannah Martin

  • Direction: Ian Rodney Wooldridge
  • Performance: Michela Meazza
  • Cinematography: Pacu Trautbetter
  • Styling: Kate Ruth
  • Production Co-ordination: Nathan Morse
  • Post production assistance: Andrew Haigh
  • Hair: Conrad Andrews
  • Direction Assistance: Douglas Duncan
  • Fashion: Nom*D
  • Lodger Footwear

  • Film: Lodger Footwear
  • SHOWstudio.com

  • Creative Direction: Paul Hetherington
  • Editorial and Fashion Direction: Alexander Fury
  • Front-End Development: Sally Northmore
  • Back-End Development: Paul Herron
  • Special thanks to Nathan Morse

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