'Transmissions' explores the upsurge in performance-related practice that continues to suffuse the contemporary art world. A series of reportage films and collaborations on SHOWstudio during 2005-2007, created as a diary documenting each event live, 'Transmissions' captures a portrait of the scene though artist-created footage, short film, ephemera and live imagery
More in this project
- Overview
- Alexandra Bachzetsis
- Antony & The Johnsons
- Art Basel Miami Beach
- Beauties of the Night
- Berlin Biennial
- Carl Hopgood
- Cerith Wyn Evans
- cheapcream
- Christian Marclay
- Daria Martin & Zeena Parkins
- Derek Jarman
- Duggie Fields
- Ei Arakawa
- Enrico David
- Francis Alys
- Gustav Metzger
- Guy de Cointet
- Janice Kerbel
- Jimmy Robert
- Joanne Tatham and Tom O'Sullivan
- Jonathan Meese
- Jutta Koether
- Martin Creed
- Maria Pask
- Linder Sterling
- Pil & Galia Kollectiv
- Kim Gordon & Jutta Koether
- Kim Gordon & Jutta Koether
- K2ao and Stephan Dillemuth
- Lali Chetwynd
- Los Super Elegantes
- No Bra
- Pablo Bronstein
- Peter Saville
- Rirkrit Tiravanija
- Roger Hiorns
- Sunn O)))
- Stephanie Taylor
- Pablo Bronstein
- Rodney Graham
- Stephen Willats
- Sue Tompkins
- The Landsc Apes
- The Dimes of March
- The Otolith Group
- The Thing-In-Itself
- Tris Vonna Mitchell
- Utrecht
- Ulla von Brandenburg
- Whitstable Biennale
- William Hunt
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The Dimes of March
An exhibition at New York's art collective-run space Reena Spaulings includes works by Patterson Beckwith, Lizzi Bougatsos, CUP, Kim Gordon, Jutta Koether, Seth Price, Josephine Pryde, Josh Smith & Christopher Wool, Agathe Snow and Lee Williams also featured four days of live performance by Ei Arakawa entitled 'Toward A Standard Risk Architecture', it ran from March 9-12. A selection of video-phone clips captured in the late afternoon of Saturday March 11 show how Arakawa presented a complete transformation of the gallery by way of a team of female renovators painting walls, laying carpets and fixing the place up. This continuous work in progess was augmented by a lone dancer who provided a focal point for the activity, moving and falling around to the music of Seth Price. The gallery organisers themselves appeared to be re-hanging the works around the renovations, whilst various audience members sat or walked around deciphering the activity.