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Day 3: A Magazine Curated By

published on 3 August 2016

Explore the world of A Magazine Curated By, as Assistant Editor Matthew Domescek takes to the SHOWstudio Tumblr to share the publication's vision and his favourite moments from previous issues.

Explore the world of A Magazine Curated By, as Assistant Editor Matthew Domescek takes to the SHOWstudio Tumblr to share the publication's vision and his favourite moments from previous issues.

Pablo Picasso by Douglas Duncan. Picasso on the front steps of Mas Notre-Dame-de-Vie in Mougins, 1959 or later. Seen in both A Magazine Curated By Giambattista Valli (Issue #10) and also the inspirations for Fendi Menswear S/S 2017.
‘TWENTIES REFLECTIONS.’ Photography by Michael Baumgarten for A Magazine Curated By Olivier Theyskens (Issue D).
‘10_untitled_’ photography by Richard Bush for A Magazine Curated By Hussein Chalayan (Issue C).
Yohji Yamamoto Autumn-Winter 1987-88, Photography by Nick Knight for A Magazine Curated by Yohji Yamamoto (Issue #2).
“Trixy on the cot 1979″ by Nan Goldin for A Magazine Curated By Giambattista Valli (Issue #10).
Skeleton of Tycho Brahe, Prague. Taken from Olafur Eliasson’s contribution to A Magazine Curated By Delfina Delettrez (Issue #14).
Peter Klasen, a part of ‘Eden & After’ by Amy Greenspon and Mitchell Algus from A Magazine Curated By Proenza Schouler (Issue #9).
Polimoda, Florence. “See no evil, hear no evil” designed and illustrated by Zehra Mustafa from A Magazine Curated by Stephen Jones (Issue #12).
Art by Abraham Habbah, photographed by his son Jacques Habbah for A Magazine Curated By Maison Martin Margiela (issue #1).
Veronique Leroy, Golden Spindle Contest 1989 from ‘MOVING MOMENTS IN FASHION.’ A Magazine Curated by Veronique Branquinho (Issue #6).
Excerpt from ‘Azzedine Alaia & Yohji Yamamoto in conversation with Laurence Benaïm.’ From A Magazine Curated By Yohji Yamamoto (Issue #2).
‘HELL☺ LALA’ Photography by Nobuhiko Kitamura (Hysteric Glamour) From A Magazine Curated By Jun Takahashi Undercover (Issue #4).
Tumblr Curation by:
Matthew Domescek

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