Behind the Screens
Want to know more about the hidden aspects of making fashion imagery? We're giving you an exclusive peek into Nick Knight and SHOWstudio's production work.
Post Production: Moving Portraits
The team revealed the workings behind the final steps of making Henry Holland's 'moving portrait'.
Technical Interview: Russell Shaw
Nice Biscuits Visual FX artist Russ Shaw talks through the grading, visual effects and post production stages of the Henry Holland film.
Technical Interview: Ben Perry
Ben Perry discusses the Codex system employed to capture and process the 4K footage for Clive Booth's video portrait of Henry Holland.
Day 5: #asif
Explore early post-production tests for Nick Knight and Simon Foxton's #asif project for V Magazine, posted on the final day of their joint Tumblr Takeover.
Day 6: War
On day six of his Tumblr curation, Nick Knight shared never-before-seen images from the digital post-production stage of his 1997 'WAR' editorial for Big magazine.
Day 5: War
On day five of his Tumblr curation, Nick Knight revealed more of the creative process for his 1997 'WAR' editorial with images of his post-production collages.
Nick Knight: Post-production Gallery
Nick Knight shared his never before seen post-production imagery with SHOWstudio viewers.
Agathe and Seraphine's House
Nick Knight and Dinos Chapman shot an editorial for Garage magazine, transforming Lily Donaldson into the uncanny inhabitant of a life-size dollhouse.
Gallery: Let There Be Light (Un-retouched)
See the first uploads of Nick Knight’s un-retouched photos live from the studio floor and compare with the magically transformed V Magazine editorial.